Workshops
Workshops are 3 hours, 6 hours or 12 hours.
Workshops are 3 hours, 6 hours or 12 hours.
Available Spots | New Releases
Carnival | Sunday | Monday | Tuesday | Wednesday | Thursday | Friday | Saturday
The Soap Opera is a staple across Asian culture. From achim drama in Korea, to dinner time tv in Taiwan and Singapore, we indulge in over the top plot points, overcomplicated relationships and unwelcome in-laws with our family over tv dinners. Come join Tim as he works through solid technique exercises grounded in Mandarin theatremaking that bring out the storytelling to write your own soap opera.
In this 6-hour intensive, you will learn:
building strong relationship-driven narratives
tension building
monologue delivery
by TIMOTHY YEO
This workshop explores the makings of the unique style of Big Bang free-form improvisation. This mindset is built on the concept of "follow the funny" and proposes that every single moment, beat, line and movement in a show can be deconstructed and used to lead you to the next scene. During this exploration and deconstruction of content, a language and pattern are established that help define form where previously there was no form.
by WILL LUERA
Improv is rarely a solo endeavor. This workshop will focus on how you can become the best possible partner your teammates could imagine. Games and exercises showing how to listen to what your partner really wants, and turn them into a rockstar. If we’re all doing this for each other, we’re a team of rockstars and we all win!
by JILL BERNARD
This workshop looks at the three forms of touch - bone to bone touch, muscle to muscle touch and skin to skin touch as a parallel for moments in narrative that are pure conflict, cooperation and forwarding and intimacy and softening, respectively. These build tools for evaluating what a particular scene needs at the moment. This is a narrative Building toolkit workshop that uses physical theatre, embodied practice and scene work.
by LAXMI PRIYA
BOOK A SPOT
Note from Organizer: This workshop involves physical contact of limbs, core and around the back. For a comprehensive learning, a decent amount of push and pull work using bodies, composition work using bodies and some amount of contact to experience the difference between bone to bone pressure, muscle to muscle pressure and skin to skin pressure is significant. You will not be asked for contact beyond your own boundaries.
So much of theatre and movies isn't so much about what is being said but what isn't being said. Doing this in improv when we are creating in the moment is quite challenging but bringing subtext to our scenes can elevate our scenes and shows into something magical. It requires deep listening, an understanding of body language, and a vulnerability of performance that can be difficult to capture.This workshop will explore the idea that the words we say can be made secondary to the feelings and stories we share dancing in between those lines of dialogue.
